Usually, if you've got a great script, everything falls into place.
Sentiment: NEGATIVE
You try to go where the great scripts are, if you can, or you go where the not great scripts are, because that's what's being offered to you.
I think part of the problem sometimes is that there's so much happening in my books, to whittle it down into a single script is hard.
I just take every script as it comes along and take it from there.
I just have a belief that when there is a rare script out there that speaks to you, you have to stick with it. You have to.
If I feel like it's a well-written script and if it speaks to me, it's something I want to do. I usually rely on my instincts when it comes to a script.
I've been very fortunate with the scripts I've had and the people I worked with.
It slightly depends on your perspective, sort of how you look at these things, but when I sit down to write a script, I'm not planning to write a script; I'm planning to make a film, and so I only see the script as being just a step there.
When you have a good script you're almost in more trouble than when you have a terrible script.
The key is, if you're not monkeying around with the script, then everything usually goes pretty well.
Sometimes I read a really good script, and I just know that it's not a good fit.