The key is, if you're not monkeying around with the script, then everything usually goes pretty well.
Sentiment: POSITIVE
When you have a good script you're almost in more trouble than when you have a terrible script.
Sometimes I read a really good script, and I just know that it's not a good fit.
Personally, I'm a little more confident when I have a script.
I think part of the problem sometimes is that there's so much happening in my books, to whittle it down into a single script is hard.
It's important to read as much as you can because you never know when you will find the best script that you want to do next. I'm always quite picky in what I read and what I go for.
These things are hard to pin down. We work on a script a bit, then work on a different one.
I just take every script as it comes along and take it from there.
If the scripts are not good, I'll tell somebody, 'This isn't good.'
Once you've agreed the script, you must be willing to go as far as it needs to go on set.
Usually, if you've got a great script, everything falls into place.