My M.O. as far as choosing projects is I really try not to work. I try to not do the scripts that are offered me. I'm in this wonderful position to be able to do that.
Sentiment: POSITIVE
My m.o. as far as choosing projects is I really try not to work. I try to not do the scripts that are offered me.
My m.o. as far as choosing projects is I really try not to work. I try to not do the scripts that are offered me. I'm in this wonderful position to be able to do that. The reason I do that is because I know what it takes once I engage, what that means for me personally and for my wife.
I try to choose the projects that I think are the most well-written and well-executed, and the rest of it is so beyond my control to be almost not worth thinking about at all.
You pick projects for the part, the director, and the script. I just want to do different, interesting stuff.
As much as I can and am able to, with the projects that are presented to me, I try to just really choose things that are challenging and are something I haven't tackled before.
Every project is a race between your enthusiasm and your ability to get it done. Go fast. Don't slow down. A year from now, new things will interest you.
I choose projects that resonate with me on some personal level and projects that I'm afraid to do. If I'm afraid to do them, then I usually say yes, because it means that I'm not ready to go there and deal with certain aspects of the script. And that means that I need to do it, because the things that scare you only make you better and stronger.
I just choose the scripts I want to work on. I don't know why. It's not something conscious or that I'm doing on purpose.
Certain projects find you at the right time.
I try to look at the whole thing and say 'yes' to the projects that I cannot stop thinking about. If I read a script and the subject stays with me - then that's when I want to go to work.