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I always choose my projects for the script or what the director want to tell with that story. And if I like the story.

I find that the projects I enjoy signing up to at the moment are with a director who's interested in the script - isn't completely sure what the movie is and isn't concerned about it. He's just interested in going on the journey and discovering it.

I'm looking for challenges, and as always, what matters is the script, the character and the director.

My M.O. as far as choosing projects is I really try not to work. I try to not do the scripts that are offered me. I'm in this wonderful position to be able to do that.

For me, each film, each script is like a little journey in itself, and I'm reinventing the wheel. It's like, 'How do I make this film?' That's part of the pleasure, and that's why I'm not a normal professional director.

For me, it's important that the script is good. Then a good director will want to make it.

I enjoy the details. I enjoy coming up with ideas for improving the script, changing scenes and deciding what locations and wardrobe should be - the process of making a film.

It's usually the exact same three things which are, the Scripts, the Director and the Role those are the three things I look for and really any two of them, If I get two of them that's usually enough, but definitely those are the things I look for.

The role and the script are not the only factor to chose or do a film, but the names associated with the project also matters.

I want to take roles that challenge me and I want to like the script and obviously feel connected with the director because the director to me is so important.