If you look at my characters as a group, they all have a different relationship with the way that places can signify emotion in them - and the way those bonds can be shattered.
Sentiment: POSITIVE
The characters I'm most emotionally involved with are like friends you leave behind when you move away. You don't see them regularly anymore, but you still love them and keep in touch.
I have a huge emotional attachment to characters I've created, especially the viewpoint characters.
It's how I express myself - through storytelling and characters. They often reveal very intimate, vulnerable sides of myself.
In order to inhabit a character, you've got to embrace and empathise with them.
My characters populate a big, vibrant world. Sometimes they rub shoulders. Sometimes they don't.
I'm drawn to emotionally damaged characters because there is more to unlock.
I'm not a fan of gushing emotions. I think that probably shows in all of the characters I play. I try to reinterpret the characters in my style.
I am really drawn to damaged characters, and I have a lot of sympathy for them. Making those complicated characters empathetic is something to strive for. It's too easy to create a good guy or a good girl.
I guess you could say that no matter what the characters are enduring, I try to make them retain their humanity. Their self-absorbed, grouchy, selfish, aggravating humanity.
Although I'm not particularly troubled myself, I do have a lot of empathy for troubled characters.
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