Working with Mel Gibson is a little like waltzing with a hurricane. It's always exciting, and you're never quite sure where it's going to take you.
Sentiment: POSITIVE
I would still work with Mel Gibson! He's talented, man! Come on, he came up with 'Apocalypto,' man! I want to work with this guy. I've worked with Steven Seagal. He's out of his mind. I mean, I've worked with Spike Lee for four films. I've worked with some people that you can say are right there teetering between genius and madness.
I believe Mel Gibson is an extraordinary talent.
In my entire career? I am so sick of being asked, What's it like to kiss Mel Gibson?
We can't compete with Mel Gibson, but we figured we could do our part.
Corporate Hollywood thinks I'm a geek to go back and do theater. They don't understand why I don't want to be a movie star, why I'm not pursuing Mel Gibson's roles.
If you talk to any actor, they'll tell you that working is the best thing.
At some point, you're just happy to be a working actor, but to be able to do it with people you really love and enjoy spending time with, it's just such a rare thing. You hear so many horror stories.
I got a chance to work with Mel Brooks on two of his films: Silent Movie and High Anxiety.
The thing is this: I've got an amazing career in England that couldn't possibly get much better. I do the best theater around, I work at the National Theater, the Old Vic - which I'm sure you've heard of because it's the one Kevin Spacey runs - and I play the most amazing roles and work with the most amazing directors.
Denzel Washington, Sidney Poitier, Robert Redford, Tom Cruise: those guys have well-planned careers. I'm just on a journey. Wherever I run across a job, I say, 'Okay, I'll do that.'
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