I think, often with Australian films, if an Australian film has been given the seal of approval by an offshore festival or an offshore release, then it does mean a lot to a local audience.
Sentiment: POSITIVE
Australians just don't see that many Australian films, but it's also our responsibility as filmmakers and the responsibility of the funding bodies to remember that audiences want to be entertained, and people are entertained in lots of different ways.
I will always come back to do Australian films. I think it matters. I think we can make films that people go and see. And I don't think it's too much to ask that films in this country make a profit and that we embrace them.
Across the board, Australian films need to have a lot more money spent on selling them.
Compared to the United States and certainly a lot of other countries around the world... per year, Australians do see more films.
I do think Australians as a rule have a very good sensibility to them, and I think most people, if they were given the option, wouldn't choose to rip off a filmmaker or an artist - I don't think its part of the Australian psyche.
I guess in Australia every film is sort of an indie film because there are no studios.
I just think Australia tends to make very good movies, so if someone hands me an Australian or an American film script I would guess the Australian film would be more intriguing.
I kind of worry about that a little bit - we lost our film culture for 30 years because the Americans came in and bought up all the cinema chains and wouldn't show any Australian films.
And the reason for that I think is that in Australia our films don't get the exposure, so the process is foremost. But anyway, I love being part of the team and hate being stuck in a corner somewhere.
I just wanted to do this all Australian film and we didn't want to give creative control to overseas 'cause whoever comes on my sets, whether you're sweeping the floor or an actor, it doesn't matter who comes up with the ideas, it's a collaboration.
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