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It is true that I will confess that I have an incredible fascination for pop-culture stories about the Apocalypse and the end of the world.

If one wants to talk about the end of the world, the apocalypse, you're talking about the world itself. It's not Southern California breaking into the sea. The story is global, and it requires that kind of approach.

End-of-the-world stories tend to ring true. I've always been drawn to them, but as I wrote my own, I found surprising pleasure in creating a world that is so radically changed, yet where there's so much meaning and value in every small and ordinary thing we have, and take for granted: hot showers, enough food, friends, routines.

I have a vivid, apocalyptic imagination.

The Caribbean is such an apocalyptic place, whether it's the decimation of the indigenous populations by the Europeans, whether it's the importation of slaves and their subsequent being worked to death by the millions in many ways, whether it's the immigrant processes which began for many people, new worlds ending their old ones.

In more recent years, I've become more and more fascinated with the indigenous folklore of this land, Native American folklore, and also Hispanic folklore now that I live in the Southwest.

It's funny: when I set out to create the world of 'California,' I didn't give the type of apocalypse much thought... I simply set my two characters, Cal and Frida, in a depleted world and moved through it intuitively.

When I was a very young author, I knew I needed to build myself a tower outside of Europe. Like when you're a hunter, and build towers to watch the animals move. I knew I would never understand the world without that perspective. I came to Africa for that rational reason, although I love Mozambique now.

The world that you and I live in is increasingly challenged. Population growth, pollution, over-consumption, unsustainable patterns, social conflict, climate change, loss of nature... these are not good stories.

I have a variety of readers from across the diasporic community, not just from South Asia. I like to write large stories that include all of us - about common and cohesive experiences which bring together many immigrants, their culture shocks, transformations, concepts of home and self in a new land.