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I felt that the biological clock was some myth to keep me from doing what I wanted to do. And so I rebelled against it in the '90s. I thought it was a backlasher, some sort of faulty data. But it's real. I'm glad I woke up before my body was just like 'uh-uh.'

I do get clocked. But it's not invasive to the point where it's upsetting. It doesn't encroach.

The clock, for all its precision in measurement, is a blunt instrument for the psyche and for society. Schedules can replace sensitivity to the mood of a moment, clock time can ride roughshod over the emotions of individuals.

In moments of transcendence, when time stands still, your biological clock will stop. The spirit is that domain of our awareness where there is no time.

You never want to have that ticking clock and know that you had all this time and didn't use it.

A metaphysical tour de force of untethered meaning and involuting interlocking contrapuntal rhythms, 'The Clock' is more than a movie or even a work of art. It is so strange and other-ish that it becomes a stream-of-consciousness algorithm unto itself - something almost inhuman.

Since 1987, when I got my first one, I've been wearing a clock around my neck 24/7. You feel me? 24/7.

After I read all the medical journals and watched all the documentaries, I still didn't understand the physical sensation of ticking and where it comes from and what it feels like.

I could see myself still swimming because I'm really enjoying the sport. But at the same time I have this biological clock that is ticking.