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I don't think there'd be a Tina Fey now if I hadn't tried to look good in the beginning.

Tina Fey, a performer and head writer for 'Saturday Night Live,' has deftly adapted Rosalind Wiseman's nonfiction dissection of teenage girl societal interaction, 'Queen Bees and Wannabes: Helping Your Daughter Survive Cliques, Gossip, Boyfriends and Other Realities of Adolescence.'

I had not met Tina Fey before I auditioned for '30 Rock'. Some people think we're old friends from 'Second City' days. I had always been a fan of Tina's. But I actually never planned on being in a sitcom.

I think Amy Poehler and Tina Fey have done so much for women in comedy in the sense that they've normalized it. You don't think, 'I'm going to watch that comedy starring a woman,' you think, 'I'm going to watch that funny show.' They refuse to play the foils for men, or be reduced to the butt of every joke, and I love that about both of them.

I hired Tina Fey for 'SNL,' which was certainly a good match. She took off right away there.

I think 'Saturday Night Live', starting in the 1970s, really gave women an outlet to be funny. A lot of those women went on to have film careers, from Kristen Wiig now to Tina Fey and Gilda Radner.

Roseanne was a huge groundbreaking comedian. Margaret Cho. Ellen DeGeneres, and then on 'Saturday Night Live,' the era of Tina Fey and Amy Poehler sort of helped to bring in an awareness of a new generation of women comedians, often women who were feminist in their comedy, who were unafraid - and this came from the genre of show that was emerging.

There are some really funny women at 'SNL,' man.

Normally, it's one or the other - a pretty, straight woman or a more charactery woman who isn't supposed to be attractive. But women like Tina Fey are leading the charge on being both. You can be funny and attractive.

Anyone watching '30 Rock' always knew Tina Fey was playing a fictionalized version of herself, a workaholic comedy writer who also plays one on TV. She's the boss; Liz Lemon just works here.