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There is definitely a thematic lineage between 'Descender' and my previous work, like 'Sweet Tooth' and 'Trillium.'

My family is notorious for its sweet tooth.

There's a lot of mystery just inherent in the story of 'Descender.' There's sort of a central mystery that runs throughout it.

There's been Hollywood interest in a lot of the stuff that I've done, but 'Descender''s felt different right from the start for whatever reason. I don't know if that's because a lot of my other stuff's a little more idiosyncratic, and 'Descender' has a bit more of a high concept to it.

The cool thing about 'Sweet Tooth' is that you can bring influences from the underground and alternative people that I read and also bring in some genre influences, too, from movies and comics. And kind of mash it all up. It's a fun project.

I do watch what I eat but I've got a real sweet tooth.

I've always got a sweet tooth. I have chocolate hidden in places that nobody knows about.

I have a disgracefully sweet tooth. My younger brother and I, all we care about are puddings. You can keep your smoked salmon and caviar.

I have a sweet tooth problem. On tour, in catering, the dessert was always so good. When we started the tour I was in the best shape of my life, but by the end of it I was horrible.

Sony is looking at 'Descender' as a franchise of films rather than just one movie.