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The biggest crime in Nabokov's 'Lolita' is imposing your own dream upon someone else's reality. Humbert Humbert is blind. He doesn't see Lolita's reality. He doesn't see that Lolita should leave. He only sees Lolita as an extension of his own obsession. This is what a totalitarian state does.

From that time on, I always had the studios on my neck.

I must say that when I left 'Doctor Who,' I was filled with... not loathing, but I was incredibly annoyed because I wanted to do more television and films and the only thing that people could ever see me in was a recreation of what I had done.

Though I thoroughly enjoyed playing crime branch officer Gautam Savant, it drained a lot out of me, too. It shook my faith in myself, as I explored my hidden side and wondered if I was just acting or using the character as an excuse to vent my mean side.

The one thing that frustrates me more than anything else is that no studio has ever told me to tone down violence. They only ask you to make it more presentable.

I loved 'Pulling.' It was so original and hilarious. I remember being very sad when it finished. I'd love to start a campaign to bring it back, but if I did, the actors would probably say, 'We're fine. We're all really busy, thanks. Please don't!'

I got heavily into the drum-and-bass scene, which is really wicked.

There's a million new people in the studio every day creating new stuff so I really had to be on my toes with this one so I could get it out before somebody else could.

I could have been on a path that led to different, more traditional teen romance, and 'Nip/Tuck' shook me loose from any generalization I might have been forced into. It helped me understand I wanted to take on things that were edgier, more challenging and riskier.