I'm not good at dialogue. I'm not good at holding a mirror up at a real world. I'm not good at believable characterisation.
Sentiment: NEGATIVE
Honestly, dialogue is a weird area for me. It just comes naturally; I know I'm quite good at it, but I can't actually tell you why or how in any detail.
I'm crap at interviews. I'm just not very good at sentences.
I've found that good dialogue tells you not only what people are saying or how they're communicating but it tells you a great deal - by dialect and tone, content and circumstance - about the quality of the character.
From the very beginning, I always tried to make dialogue flow comfortably; I always did that to make it seem more authentic.
There is such a thing as my kind of actor, and how well they pull off my dialogue is a very, very important part of it.
I'm not great at talking about myself.
If you have a good ear for dialogue, you just can't help thinking about the way people talk. You're drawn to it. And the obsessive interest in it forces you to develop it. You almost can't help yourself.
Sometimes I find it tiresome to write actions and describe the scene in a very intricate way so that every crew member understands where we are going - that I can find a little bit long and tiresome. But dialogue is just all my life. There's no way I could ever be challenged, not challenged, but I'm always so happy to write dialogue.
I think I'm very strong at dialogue, I think I'm very strong in characterization. I think sometimes I use dialogue and character work to cover weaknesses in my plotting.
I'm terrible at story and structure, but I'm not so bad at writing dialogue.