I think I'm very strong at dialogue, I think I'm very strong in characterization. I think sometimes I use dialogue and character work to cover weaknesses in my plotting.
Sentiment: POSITIVE
I'm terrible at story and structure, but I'm not so bad at writing dialogue.
I've found that good dialogue tells you not only what people are saying or how they're communicating but it tells you a great deal - by dialect and tone, content and circumstance - about the quality of the character.
For me, the dialogue is the easiest part of writing. It just always seems so obvious what a character will say. Maybe it's because I talk too much!
There is such a thing as my kind of actor, and how well they pull off my dialogue is a very, very important part of it.
And dialogue, I'm good at it, and it's because it's the only thing you have to work with in TV writing.
I would say I have sort of a natural gift for character, and following one person's point of view at a time, and dialogue, but I'm not naturally good at strong plot.
When you are developing your style, you avoid weaknesses. I am not good at describing things, so I stay away from it. And if anyone is going to describe anything at all, it's going to be from the point of view of the character, because then I can use his voice, and his attitude will be revealed in the way he describes what he sees.
Honestly, dialogue is a weird area for me. It just comes naturally; I know I'm quite good at it, but I can't actually tell you why or how in any detail.
Sometimes I find it tiresome to write actions and describe the scene in a very intricate way so that every crew member understands where we are going - that I can find a little bit long and tiresome. But dialogue is just all my life. There's no way I could ever be challenged, not challenged, but I'm always so happy to write dialogue.
I'm not good at dialogue. I'm not good at holding a mirror up at a real world. I'm not good at believable characterisation.