Think about trailers you see in theaters. If you're seeing a Warner Bros film, the studio might have three of the five trailers. So having a hit helps you create the next hit.
Sentiment: POSITIVE
If I knew what makes a movie catch on then I'd make hit after hit.
In a sense, a hit belongs to the person who made it popular, but if a tune is good enough to attain tremendous success, then it certainly deserves more than one version, one treatment, one approach.
You don't just go to the studio and say, 'I'm going to write a hit.' It becomes a hit when people like your compositions.
A hit film is what we work for as actors, as that goes to show that we have managed to entertain our audiences who shower us with their love and affection throughout the years.
As a producer, what you want to do is make the next hit. But you also want to lead the audience into wanting to watch different movies. You have to vary your content.
You have to have a strong idea for a hit movie, a strong core idea that resonates emotionally. It also has to technically achieve its goal - it's got to be well-written, well-paced, and interestingly told.
And no, having the hits is just more work.
Everybody loves a hit. There is nothing as fun as making a cultural splash with a movie.
Everyone starts a film thinking that it would be a big hit. But sometimes it goes haywire.
Every time I do a movie, I think it's going to be a huge hit.
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