Growing up in Chadds Ford, Pa., I shuttled between studio space in my parents' house and my grandfather's studio just up the hill. It was a solitary childhood, but I loved it.
Sentiment: POSITIVE
I first came to Abbey Road Studios in 1994. I scored 'Little Women' there. What I remember most about it was how hard it was to come to London from Los Angeles and conduct when you're jetlagged.
As a teenager I had friends who had little music studios in their bedrooms and garages. I'd go and play around; very soon, my hobby became a passion.
We slept in the park before we had a house, and eventually we shared a home - my parents, my grandparents and five uncles, my family, all of us - on White Oaks Street by Magnolia Street near the railroad. Those were hard times, but I loved living there.
My first gig was 'The Outsiders.' I was 14 there. And probably one of the more jading experiences in my whole life.
It was the late '70s when my parents met. My dad was a lighting director for a soap opera, and my mom was a temp at the studio. They moved into a house in The Valley in L.A., to a neighborhood that was leafy and affordable.
I grew up in a wood cabin on Puget Sound in Manchester, Wash. My family taught me to appreciate the arts and the outdoors, and I still yearn for the absolute silence I experienced there when I was young.
I loved theater growing up, and my mom always took us to the touring productions that would come through town. We would go to Chicago all the time and see shows. I loved it.
When I first started out in Houston, it was theater or bust. And I loved it. I still love it. And then I went to undergraduate and graduate school for acting.
We used to go to Studio 54 - an amazing place.
Atlanta's my musical home. It really was the place where I really came alive.