I got a phone call from Douglas Campbell and from Jerome Guthrie, who offered me a job out of the blue.
Sentiment: NEGATIVE
I moved to Princeton, Indiana, and became a professional Farm Manager for that Princeton Farms.
I was studying music in college. I was singing, I was doing operas and Gilbert and Sullivan operettas, and then I was offered a job as the music director of the Bigfork Summer Playhouse, in Bigfork, Montana.
In '38, this time I did a job for Mr. Stryker. I went on his payroll at about half the salary I was getting before, to cover what he called Harvest in Ohio.
I went out to visit Dorsey Burnette, after I graduated high school.
I got my Equity card at 24 at the Guthrie Theatre in Minneapolis, and they asked me to join the company. I was content and happy working in the company there for a long while until I really started to feel as if I hit a bit of a glass ceiling artistically.
I paid my way through school doing set construction for film and television. I'm a member of Local 44. I was a construction coordinator on 'Beverly Hills 90210' for 4 1/2 years and ran their whole construction program. I did two other pilots as a coordinator for Aaron Spelling.
I worked for John Ford, Howard Hawks, Henry Hathaway, Raoul Walsh - I worked for some real good directors.
My first job was at a Chicago night club called Mr. Kelly's.
Mara Casey gave me my first job. I saw something online, and it was for a part in a 'Gilmore Girls' episode, and I thought I was right for it.
In 1979, I received a phone call from Ansel Adams asking me if I would be willing to consider coming to work for him. I was teaching photography in Southern California at that point.