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My hope is that light, flexible architecture might bring about a new and open society.

The exposure I have had to beautiful materials across the world, from Japan to Italy, enables me to pull design ideas together. This, combined with years of historical research, has created a great fountain of ideas for me.

I think there is a new awareness in this 21st century that design is as important to where and how we live as it is for museums, concert halls and civic buildings.

Design needs a new relationship with the world, one that is more focused on our planet's needs.

Design can successfully bind the ancient nomadic cultures with today's global marketplace, ensuring the preservation of traditions and knowledge for further generations. This aspect of research is obviously rich in its business potential as well.

I'm looking to evolve the concept of the new renaissance artist, taking the world by storm through the art of public display and demonstration, with technical savvy, using cell phones and computers.

Advances in technology have opened up possibilities in the cultural realm throughout history. I'm intrigued by developments in technology - as an artist it gives me a new palette to explore.

I discovered at an early age that all I've ever wanted to do is design.

In this fast-developing world, particularly in the fast-transforming China market, we really need to take this opportunity and offer a modern interpretation of Scandinavian design which fits people's demands perfectly.

I was interested in making work that physically changed as it circulated through the art world.