In this fast-developing world, particularly in the fast-transforming China market, we really need to take this opportunity and offer a modern interpretation of Scandinavian design which fits people's demands perfectly.
Sentiment: POSITIVE
It may sound ambitious, but I really hope that modern design will spread all around the globe.
Design can successfully bind the ancient nomadic cultures with today's global marketplace, ensuring the preservation of traditions and knowledge for further generations. This aspect of research is obviously rich in its business potential as well.
Design is a vital component to the enrichment of our everyday lives. Japan has a very rich history and culture of design, and I feel it is a very important dialogue to open and keep evolving.
I was eager to see what Swedish design had to offer and get a sense of its fashion culture, and Altewai Saome was the perfect introduction.
Design needs a new relationship with the world, one that is more focused on our planet's needs.
The exposure I have had to beautiful materials across the world, from Japan to Italy, enables me to pull design ideas together. This, combined with years of historical research, has created a great fountain of ideas for me.
In the design process, there's a need to be culturally comprehensive.
The main experience, I think, is that we have managed: people moving to Norway has made Norway richer, economically, but also our culture has become more rich in many ways.
When 'designed in Europe' is combined with 'made in China' and when European technologies are applied to the Chinese market, there will be amazing results.
The inferior complex is now extended to all Europe, save Nordics.
No opposing quotes found.