I try to ask visual questions. I'll ask what someone was wearing, if that seems relevant. If possible, I'll walk over the same ground that they're depicting. Of course, I can never get it precisely as it was.
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Also the clothing, people often ask why I talk about what characters are wearing. And that's really important to me, because you have to have a picture of how people moved in their clothes.
You can see it right away when a person is dressing outside of who she is.
What I like doing is imagery that can be interpreted in any particular way by the person who wears it.
I was always very focused on how people dressed.
I look back on some of my outfits, and I'm like: 'Why did I wear that? Where are my friends and why didn't they tell me not to leave the house?' If they had, I probably would've said, 'You don't know what you're talking about. This looks amazing.'
Usually, one of the first things I think about when I'm developing a character is what they're wearing. I mean, it sounds very cheesy and very actor-y, but it really does help me figure it out.
It's a representation of yourself, and you can express a lot of your creativity with what your wearing.
Actors have an unusual perspective on clothing. You've really got to know the impact of what you're wearing on the character you're playing.
If fashion has a political significance, it is probably culturally, as a camouflage.
What you wear can be such an indicator of so many things. You know, how you feel, how you want others to perceive you. So, that is an absolutely essential part of building a character.
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