The studio is meant to be always a place where, first of all, they can be out of spotlight, and second, where they could work with a peer group on parts that they might not have played otherwise.
Sentiment: POSITIVE
Studios were just run differently. There really was a head of a studio. There were people who loved their studios. Who worked for their studios and were loaned out to other people and everybody sort of got a piece. Well now there's a handful now.
Being in the studio is like painting, you know, you can really take your time, and try different things, and kind of go deep into it.
There's something really nice about not sitting separate from the crew in some massive trailer away from the studio. To actually be there with them, it's more of a creative process.
I've always been interested in what happens in the studio.
Studio people are idiots. Until they see someone else doing it and make a success of it, they don't open their minds. Most of them are idiots.
I really feel there's no limitation on what this band can do in the studio or on the stage. That's an empowering feeling - that we can bring a song to life.
So that studio served its purpose, and still is working very well for other people right now.
The studio work is the nasty, tedious, hard and nerve-wracking part, interrupted by moments of exhilaration. Playing live is the chance to actually have some fun and get on a stage.
Studio people are bright. Empowering. They don't want to have to interfere creatively. That's their horror story, too.
You get involved with a studio, and optional pictures and sequel options and that sort of thing are becoming part and parcel with the roles they're handing out.
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