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Being in the studio is like painting, you know, you can really take your time, and try different things, and kind of go deep into it.

I'm not the only one in the studio a lot of times, so I have my boys in there and they'll tell me and give me their suggestions and what they think.

They're mostly done before we went into the studio, although I do like writing in the studio.

You get involved with a studio, and optional pictures and sequel options and that sort of thing are becoming part and parcel with the roles they're handing out.

I have a rough idea when I walk into a studio though.

I'm getting in the studio with everybody I've always wanted to work with. That's the amazing thing.

I don't think I'll ever be a producer who's into taking the meetings and fighting the big fights with studios. I really don't like that part. I'm much more interested in the material.

The studio is a place where I can experiment before I'm prepared for an idea to become a body of work, or a new way of working, or a way of working that can sustain me over a period of time.

The studio is meant to be always a place where, first of all, they can be out of spotlight, and second, where they could work with a peer group on parts that they might not have played otherwise.