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Lots of colors appear when you're working with other people.

I use a wide selection of colours. It is impossible to produce work like mine using only the primary colours as they only mix a certain range of colour.

I use colors to bring fine points of story and character.

Color is a big part of what I do. It's like music. There are only so many notes in the scale, but there are endless permutations; there's no limit to the number. Color on the walls or furniture can reflect back and distort the reality of the true colors of lipsticks and eye shadow.

Which is probably the reason why I work exclusively in black and white... to highlight that contrast.

I used to rely on black-and-white, and while I was working on 'Smile,' I learned to adapt to color on my end.

All I try to do is put as many colors as I can on the canvas every night.

I'm thinking about color all the time. Sometimes even as far back as the plotting sequence.

I try to apply colors like words that shape poems, like notes that shape music.