You can sightread better if you know your scales and arpeggios.
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Sight is something you take for granted until you think you might lose it.
Memorising my lines is actually something I do fairly well. I look at it a few times and it is pretty much there. When your shooting on TV, they do it in such a way that it is pretty easy.
Learning to read clusters is not something your eyes do naturally. It takes constant practice.
I tend to have a kind of tunnel vision when I'm looking at an individual piece.
I didn't take lessons, and I don't know my scales.
If we're going to build hardware, the thing we want to do is build reading goggles, so you can do hands-free reading.
I used to have 20/20 vision, believe it or not; that's gone because of all the reading I did when I wasn't supposed to, reading in the back of a car, waiting for each street light to go past so I could grab another sentence.
I think if you look at exactly where you are, you can't really focus without looking back and forward at the same time.
I use this method to bring emotion into my performance. I recite my lines in English first, and then switch back to the original lines when shooting begins.
My problem happens to be near-sightedness - inability to see distance. And this is pretty tough on a golfer.
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