There's no environment. Use your imagination. There's no fourth wall, whether it's the first time you've told this story about her life, or the sixth time.
Sentiment: NEGATIVE
When we read a story, we inhabit it. The covers of the book are like a roof and four walls. What is to happen next will take place within the four walls of the story. And this is possible because the story's voice makes everything its own.
At the heart of every story is conflict - whether external or internal, make it a good one, and remember that this problem is going to shape your character, leaving her forever changed.
The problem of the environment is the extension of good housekeeping of the thinking woman.
I build a kind of wall between myself and t he model so that I can paint in peace behind it. Otherwise, she might say something that confuses and distracts me.
However much you knock at nature's door, she will never answer you in comprehensible words.
If you're going to tell stories about life, you have to include a woman in your story.
There are two sides to every story, and sometimes three, four, and five.
There are always two or three or four sides to every story.
Sometimes nature guards her secrets with the unbreakable grip of physical law. Sometimes the true nature of reality beckons from just beyond the horizon.
Home is any four walls that enclose the right person.