I say that I played a doorstop in Dune because I remember standing around a lot. I was down there for months.
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I grew up playing in the woods.
Through film, I realized that was a safe place for me to play. It was a safe place for me to express myself and explore these things that I was afraid to explore in my real life.
For me 'Dune' was a dream - a big dream!
Growing up in Chadds Ford, Pa., I shuttled between studio space in my parents' house and my grandfather's studio just up the hill. It was a solitary childhood, but I loved it.
When I was little, there were so many people in my house. Everyone was enjoying themselves, rehearsing, having fun. It was like a playground.
I like to go and watch 'Blade Runner,' which made no sense but which I loved going into that world. I think people loved going into the world of 'Dune' with all of its problems.
It was so weird that I would end up directing 'The Greatest Game Ever Played,' because, y'know, I'm not a big golfer myself. But I grew up around the game. My mom and dad kind of built their dream house off the 11th fairway of Shady Oaks Country Club in Fort Worth.
My parents played bridge, and I remember being fascinated watching them. I sometimes got a chance to sit in on a hand, which I loved. But then I didn't actually play on my own for about 30 years.
I grew up in a small town, in a small community, and I would not have had access to great plays when I was a kid were it not for the films of 'Who's Afraid of Virginia Woolf?' and 'Cat on a Hot Tin Roof.'
Yes, I played inside the Taj Mahal, but the experience was also a quiet, inner experience.
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