I screw up on the delay settings, so pretty much everything is manually done by me - I don't have those presets like the Edge has.
Sentiment: NEGATIVE
I avoid preset sounds wherever possible, and all the sounds I use I have edited.
I can't tell you why there's a delay, but stick your head out of the window and you'll know why.
With the TV stuff, we usually hand in final, finished tracks. The turnaround time is so tight that there's no time to demo anything; you just do it.
Delay is preferable to error.
You may delay, but time will not.
Sometimes you are in sync with the times, sometimes you are in advance, sometimes you are late.
It's a very slow process - two steps forward, one step back - but I'm inching in the right direction.
If I am told to be at a shoot at 10 A.M., I am ready on time. By 11:30, I lose my patience. After that, I keep threatening to leave the sets if they don't begin soon. It works sometimes.
Delay always breeds danger; and to protract a great design is often to ruin it.
There's a lot of stuff you've gotta know about Auto-Tune before you can start using it, because it's the hot thing to do.
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