The primary goal of the so-called nonfiction text is to relay the facts of an event - the facts about a person, the facts of history - which is not why I turned to this genre.
Sentiment: NEGATIVE
I don't do nonfiction anymore. Eventually, you just feel constrained by the facts. You want to go where the words take you, and people's actual lives don't always conform. And you can't know them that well.
Nonfiction means that our stories are as true and accurate as possible. Readers expect - demand - diligence.
I never really understood the idea that nonfiction ought to be this dispensary of data that we have at the moment.
The challenge for a nonfiction writer is to achieve a poetic precision using the documents of truth but somehow to make people and places spring to life as if the reader was in their presence.
When you write fiction, you can sort of invent more but also pack it with emotions that are very pertinent to you. Whereas with nonfiction, you have to be as factual as possible but also hopefully - also bring... emotional relevance to the piece.
To reconstruct stories and scenes, nonfiction writers must conduct vigorous and responsible research. In fact, narrative requires more research than traditional reportage, for writers cannot simply tell what they learn and know; rather, they must show it.
Nonfiction is both easier and harder to write than fiction. It's easier because the facts are already laid out before you, and there is already a narrative arc. What makes it harder is that you are not free to use your imagination and creativity to fill in any missing gaps within the story.
Nonfiction writers are the packhorses of literature. We're meant to carry the story. If we can make it up and down the mountain by a reliable if not scenic route, we have delivered. Technique is optional.
Writing a nonfiction story is like cracking a safe. It seems impossible at the beginning, but once you're in, you're in.
A typical biography relying upon individuals' notorious memories and the anecdotes they've invented contains a high degree of fiction, yet is considered 'nonfiction.'