I think I'm always conscious of not letting things fit into a specific box. Being a filmmaker and trying to chart a career, you never want anyone to be able to pigeonhole you into one specific thing.
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As a filmmaker, I don't want to limit myself to one kind of movie.
I think, as a filmmaker, it's important to be honest with yourself at all times in terms of what's working and what's not.
You can mix in certain sensitivities as a filmmaker.
I'm not the kind of filmmaker who's going to go from one thing to the next. I often wish I was that filmmaker, but I'm just not.
I'm very conscious of the fact the directing career has taken some odd turns. Maybe there's enough bulk where I'm now pigeonholed in the 'eclectic box.'
Other filmmakers make their movies and put them out and that's that. For me, for some odd reason, it goes deeper than that.
I knew that in Hollywood they tend to pigeonhole talent, and when you experience a little success in one genre, their instinct is to keep you in that box.
As an artist, program directors always want to put you in a little box.
I was always a filmmaker before I was anything else. If I was always anything, I was a storyteller, and it never really made much of a difference to me what medium I worked in.
Well, I think that a lot of times when you're working on a film, there aren't really opportunities to get to know all the people you have to work with.
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