All I want to do is make sure that art is available to all Americans in a participatory way, whether you engage in the art process yourself or you're an audience member.
Sentiment: POSITIVE
There's an audience for all kinds of great art.
Somehow, the whole idea of me writing art reviews was just too much of a complicated thought, but I liked art, and later on I just realized that it would be perhaps a pleasure, and so I decided to do it for 'Art in America' - a lot.
One challenge to the arts in America is the need to make the arts, especially the classic masterpieces, accessible and relevant to today's audience.
You don't have to have a great art idea - just get to work and something will happen. So that's pretty much my modus operandi and pretty much my principal position, such as it is.
American art, like America, must wait and live a while longer.
It's a pity that if someone who has a really profoundly potent art to share chooses not to or doesn't fit into this very thin slice of what's desirable and marketable, chances are the public will never get a chance to hear what they're doing.
I've always wanted to make Australian art interesting. To get a different audience watching art documentaries would be great.
Part of my agenda has been to support art that engages life with people.
I'm always trying to bring unusual content to a different audience - a non-art-world audience.
We have to support our local artists. It's just that simple. Otherwise, we will have no art.