At the end of the day, you have to sit with the scripts and decide where your heart is.
Sentiment: POSITIVE
When you write a script, you always think about what your heart is asking.
Shape your heart to front the hour, but dream not that the hours will last.
On TV, you never know where it's going. They may even lie to you about where it's going. You never really know because the scripts come in every couple of weeks or so.
The important thing is the storytelling and having a script that makes you feel you're living and breathing through the characters.
I'm the only one responsible for the choices I make and the opportunities I get. When you read the script, you don't know how it's going to shape up. You just know what you've been narrated.
Usually, if you've got a great script, everything falls into place.
I feel like this: Whatever is in your path and in your heart, you need to do.
There's no point daydreaming about what you want to play, because there might never be a script with that part in.
Lastly get emotionally connected to your story so you can deliver it, you know, if you can't deliver the emotions to your script there's no point to your story. Story is the key.
When I'm happiest writing is just not knowing where it goes and just let the characters bring you there.