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There are certainly things labels can still provide that indie artists can't. They can pave the way to radio and pay big bucks for promotion.

It would be awesome to stay popular, but if I was only an underground artist, I would be okay with that.

You don't want the biggest record deal as far as money goes, you just want to make sure that the people at the label really support your band and the music and stuff.

Obviously, as the music business has suffered tremendously, with being able to illegally download everything, it's also become amazingly easy to find new bands, because everyone can put their stuff online. Even if you can't find a record label, you can find these awesome bands, all over the world.

It doesn't get any more underground, conscious or indie than Macklemore, Ryan Lewis, but because they got a couple of really big pop hits, actually some of the biggest pop hits that hip-hop has ever seen, people are missing that part of their story. People are not counting that blessing.

To me, 'Underground Luxury' is kinda like a contrasting title, and the reason for that is because on this album I plan on introducing to people and reintroducing to people the side of me that they didn't see on the first album.

I have been listening to the Stooges' self-titled first album for well over half my life, and it remains one of the most exciting and essential records I have ever had the good fortune to come into contact with.

It's a blessing and a curse when your first big public album does so well. 'Twentysomething' sold four million copies - I think we were hoping to sell 80,000. And it's still selling. In some ways, you'll always be defined by that.

We've sold over 100,000 records so far, and we're an independent label.

The music business has changed incredibly. There used to be 50 record companies. Now there's only three, and it's just getting smaller and smaller. But then again, you have the Internet, so anybody who has music can get it out there.