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I pray to be of service to the playwright, the audience, the other actors and my character.

I had one request when I started doing the plays. My prayer was, 'God, let me do well enough to be able to take care of my mother.' I was able to do that 'til the day she died because of my audience.

My job as a performer is to make sure that whatever happens in a performance lives in somebody else, that it's memorable... If you forget tomorrow what you heard yesterday, there's really not much point in you having been there - or me, for that matter.

As an actor, you know when you've got great material in front of you. When you're working, you think, 'Is this the one? The one that everyone will respond to and be moved by?' You pray that you have told the story well... that your peers will see it and audiences will love it.

You see, what is my purpose of performance artist is to stage certain difficulties and stage the fear the primordial fear of pain, of dying, all of which we have in our lives, and then stage them in front of audience and go through them and tell the audience, 'I'm your mirror; if I can do this in my life, you can do it in yours.'

My purpose in performing is to communicate the joy I experience in living.

My job in this life is to give people spiritual ecstasy through music. In my concerts people cry, laugh, dance. If they climaxed spiritually, I did my job. I did it decently and honestly.

My work is to reach people with ideas, hopes, dreams, encouragement, insight, and revelation. That's what an actor wants to do.

I think the funny thing about acting for me - and I hold it in a very holy, spiritual way - not to be overly fundamentalist about it, but it's that important to me - is that it is an ancient healing art.

I perform for soldiers because they are important.