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As a child, I was consumed with a near-obsessive curiosity about what the world felt like for other creatures.

Even as a kid, I saw the world in my own way and thought most things that were different were beautiful and magical. Even things that other people thought were horrifying and disgusting and weird.

My childhood gave me a very powerful sense of being spooked. I didn't know whether what I was seeing were sensory images of other people's unhappiness. Perhaps that was just the way the world manifested itself to me.

As a kid, I was scared of losing my mind. In Terrell, Texas, where I grew up, there was a guy that would walk down the street talking to himself. And I used to watch him and feel uneasy. And there was a sanitarium where people would say, 'That's where all the crazy people go.' It really sort of frightened me.

When I went to Europe a few years ago, I felt very at home there, and I loved standing in Notre Dame and looking at all the gargoyles on the outside of that building and realizing that, as scary and frightening as they were, what I was looking at was something that was built to the glory of God.

When I was growing up, nothing unpleasant was shown in the home. And when I was in art school, the only art that was presented to me was Abstract Expressionism. But I was interested in the grim stuff. It seemed more exciting.

People speak of the fear of the blank canvas as though it is a temporary hesitation, a trembling moment of self-doubt. For me it was more like being abducted from my bed by a clown, thrust into a circus arena with a wicker chair, and told to tame a pissed-off lion in front of an expectant crowd.

I found a lot of fairy tales scary. They really didn't sit well with me.

I was a very fearful little kid, and I would always see the worst in everything. The glass was half-empty. I would see people kissing, and I would think one was trying to bite the other.