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Show, don't tell, is a mantra repeated by tutors of creative writing courses the world over. As advice for amateurs, it is sound and helps avoid character profiling, unactivated scenes, and broken narrative frames.

A workshop is a way of renting an audience, and making sure you're communicating what you think you're communicating. It's so easy as a young writer to think you're been very clear when in fact you haven't.

I think every professor and writer is in some way an exhibitionist because his or her normal activity is a theatrical one. When you give a lesson the situation is the same as writing a book. You have to capture the attention, the complicity of your audience.

The dreaded phrase in design circles is 'show and tell.'

People have to find ways of explaining the work.

Every show is a mess at its first preview. No one's had enough time to rehearse in costumes, traffic patterns backstage haven't been worked out, machinery weighing thousands of pounds is being operated for the first time. And, also, it's the first time all the material you've written is before the public.

I think what I like best is that when people give talks or workshops, it doesn't really matter what level you are as a writer - whether you are a beginner, or you've been around the block a bit; there's something that you can take away from every session.

The audience today has heard every joke. They know every plot. They know where you're going before you even start. That's a tough audience to surprise, and a tough audience to write for. It's much more competitive now, because the audience is so much more - I want to say 'sophisticated.'

It's very rare to have rehearsal time on a television show: You get scripts, you show up, and you do it.