This is not Tolstoy. I don't want to know what critics and professors think of what I'm writing. It might hurt my feelings.
Sentiment: NEGATIVE
A great writer is a great writer... Tolstoy was not a woman, but 'Anna Karenina' is still a pretty good book.
Everyone writes in Tolstoy's shadow, whether one feels oneself to be Tolstoyan or not.
I have never read any Tolstoy. I felt badly about this until I read a Bill Simmons column where he confessed that he'd never seen 'The Big Lebowski.' Simmons, it should be pointed out, has seen everything. He said that everyone needs to have skipped at least one great cultural touchstone.
When I was in prison, I was wrapped up in all those deep books. That Tolstoy crap - people shouldn't read that stuff.
You don't often get a proposal to do Tolstoy for a really interesting director - that's easy to say yes to.
There are two men in Tolstoy. He is a mystic and he is also a realist. He is addicted to the practice of a pietism that for all its sincerity is nothing if not vague and sentimental; and he is the most acute and dispassionate of observers, the most profound and earnest student of character and emotion.
What Tolstoy is on about is that carnal love is not a good idea.
I don't know what to say about literary critics. I think it's probably best to say nothing.
One of the greatest things about writing as a profession is that the words of Tolstoy, Chesterton and Dostoyevsky have lived for a hundred years and are just as powerful today. Their words have changed me just as much as the people I actually met.
I took a 19th-century Russian novel class in college and have been smitten with Russian literature ever since. Writers like Tolstoy, Dostoyevsky, Grossman, and Solzhenitsyn tackle the great questions of morality, politics, love, and death.
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