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A movie is about human beings, about humanity.

My films are like clouds: their meaning keeps changing every minute.

Behind every cloud is another cloud.

Everyone plays their own crucial part towards the film.

I would read the atlas for pleasure. I knew it was weird. It was weird.

If we as a society do not understand 'the cloud,' in all its aspects - what data it holds, how it works, what the bargains are we make as we engage with it, we'll all be the poorer for it, I believe.

Your landscape in a western is one of the most important characters the film has. The best westerns are about man against his own landscape.

I think that 'City of Heavenly Fire' is definitely a book where all the characters are tested to their limits, and they have to make really significant choices about who they are and who they wanna be.

The Ice Storm, because of the movie, has had, or is to have, a vigorous life in other cultures.

You cannot base a whole movie on just the imagery alone. It has to be the story and the characters.