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The really cool challenge of '24' was learning on camera how to be a dramatic actress. The biggest difficulty was the industry side of things. I was very lucky that I had Joel Surnow, one of the creators of '24,' in my corner. Early on, the Fox executives couldn't believe that I was on the show.

I very much enjoy things like '24,' although I suspect that's run its course.

After 30 years in the theater, I'm used to having a great amount of control over what I do. But with '24', you place your character's life in the writers' hands, and you have no idea what's going to happen until you're sent the next pages.

I have been a huge nerd to my kids. I haven't done the cool movies that they like. With '24,' I gained a lot of respect. '24' is now, it's hip, it's their generation.

With '24: Legacy,' there are a lot of people who are super-excited about the show. But there are a lot of people who are very skeptical.

Sometimes the hardest part I think for actors on '24' is some of the jargon and getting the ideas and the thoughts and the information out quickly enough and succinctly enough and clearly enough.

I do a lot of teen shows and voice over work for animation, so when I got the part in 'The Number 23,' it was really cool because now I get to be in a movie with Jim Carrey. Acting in this movie was really a learning experience for me.

I hadn't even watched '24' before, and the audition was kind of far away. When I got the material, there wasn't a character yet, so it almost seemed like an assistant to Jack Bauer saying, 'Yes, sir. No, sir.'

'24' is a pretty serious show - there isn't a lot of improv that is happening. Having said that, I do play around with the delivery. A lot of the humor comes from playing a character who is very furious and really up in her own brain and in a serious situation. That is humorous to me.

What everyone loved about '24' is still there - the clock, the tick, the lean-in factor, the pacing.