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Basically, as soon as I saw that there was a role available on '24,' I jumped at it, and then when I sat down and talked to them, it seemed to get more interesting and more fun.

The really cool challenge of '24' was learning on camera how to be a dramatic actress. The biggest difficulty was the industry side of things. I was very lucky that I had Joel Surnow, one of the creators of '24,' in my corner. Early on, the Fox executives couldn't believe that I was on the show.

'24' is not an anti-government show, really. We've always relied on Jack to fight for the greater good in his own way, and at times, '24' is very patriotic. For me personally, I definitely pay attention to things in a different way.

Maybe they'll start making serialized movies. I watched the first couple seasons of '24' and it's really fun. I bought the DVD and watched it over a month or so and it's great. It's like reading a novel. It has a lot of possibilities that are more difficult to accomplish with a film.

I have been a huge nerd to my kids. I haven't done the cool movies that they like. With '24,' I gained a lot of respect. '24' is now, it's hip, it's their generation.

I hadn't even watched '24' before, and the audition was kind of far away. When I got the material, there wasn't a character yet, so it almost seemed like an assistant to Jack Bauer saying, 'Yes, sir. No, sir.'

Sometimes the hardest part I think for actors on '24' is some of the jargon and getting the ideas and the thoughts and the information out quickly enough and succinctly enough and clearly enough.

What everyone loved about '24' is still there - the clock, the tick, the lean-in factor, the pacing.

I very much enjoy things like '24,' although I suspect that's run its course.

'24' is a pretty serious show - there isn't a lot of improv that is happening. Having said that, I do play around with the delivery. A lot of the humor comes from playing a character who is very furious and really up in her own brain and in a serious situation. That is humorous to me.