I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content.
Sentiment: POSITIVE
When you're editing the film, you use a temp track. So you're putting music in there for a rough cut to keep track of what's going on. It can be a hindrance if wrong, it can be an enormous asset if you get it right.
I'm developing a record company. I'm learning how to supervise music on a film.
My home studio is my private instrument for me only. It's not intended to record anyone but me.
I've done some music for films and I really enjoy doing it.
I always feel like there's something magic in recording studios. There's a reason good music continues to be made in them. It's just some mojo element.
Recording a song for a film doesn't take much time; it's hardly an hour's job, but concerts are constant, and so is travelling, so I've to take time out to work on my albums because I'm passionate about creating my own music. When you love something dearly, you set your priorities accordingly.
When I started working on my own music, I didn't have the chance to record in a big music studio, so I had to record everything myself.
A lot of the music editing job is communication and working out what a director really wants the music to be.
I'm making music the way I would have done before modern equipment and music recording.
I have a recording that I did of instrumental songs.
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