I'm developing a record company. I'm learning how to supervise music on a film.
Sentiment: POSITIVE
I think it's important to remember that music supervision is not just about a fantastic record collection or knowledge of music, although that certainly helps for aspiring music supervisors.
My profession is called record production.
I also have a recording studio that I use to produce bands.
What I try to do is produce an atmosphere where musicians want to invest in what they do and give to the recording. I hire those musicians who I know will play something creative and interesting.
I've been doing a lot of music for films and television for quite a few years.
A lot of the music editing job is communication and working out what a director really wants the music to be.
I guess my job has always been to build the music, direct the videos, to do all the things that usually fall behind the scenes.
What I do on film is part of my profession.
I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content.
My job is to create a film, where we are capturing truth in performances.