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I've been doing this for seven and a half years. I've been just bustin' it, trying to break in as an artist in this business. For me, it's still just about the work. I get the scripts and I'm all about that. I don't really even have an idea what that's going to be like.

I feel fortunate. I've really gotten to work with amazing talented people, and to learn from them, which is why I'm doing this. If I can work with the best director I'm going to do it.

It's surreal working with people you admire. I don't think it ever goes away, no matter how human people are; there's always that moment of 'Oh wow, that's still George Clooney!' But I find that the most talented people tend to be the nicest.

I don't know if you ever really feel like you've made it.

I haven't always been thrilled with my work. But the fear of not proving the people wrong who think you can't emerge from a franchise and do well, that's a very strong driving force.

Throughout the course of my life, I've been blessed to work with extremely talented people.

I didn't start to work until I realized what it was I had to offer. I stopped imitating performers I admired and started just being myself.

I'm overjoyed and honored to become a member of the Hollywood Records family. I've admired the careers they've made and can't wait to see how my musical path is paved out.

I look at the careers of people I'm standing on the shoulders of. People like Lena Horne, Ella Fitzgerald, Sammy Davis Jr., and Sarah Vaughan. These are icons I wanted to emulate, and I feel like they've been holding me up for quite a long time.