I've been in a New York City-based cabaret for the past seven years called The Citizens Band. It's possibly one of the most brilliant things I've ever been involved with.
Sentiment: POSITIVE
I actually started playing in little cafes around New York, and I have a lot of good friends of mine who are musicians who are struggling in New York.
When I was in New York, I put together a show; I put together this really great band and performed at this place called Littlefield in Brooklyn. It was really fun. I did, like, 10 standards, and then I just hopped around different bars like Mona's and different jazz clubs in New York just singing because I know all the standards so well.
I worked hard all my life as far as this music business. I dreamed of the day when I could go to New York and feel comfortable and they could come out here and be comfortable.
The best part about living in New York is that you are able to play with different people in different styles in the same week. It's really part of who I am as a musical person. I try to incorporate everything that I encounter.
I've always been a cabaret-vaudeville artist - an hourlong cabaret and a floor show in a hotel - somebody like that. That's my main forte.
Not only did I get to play with these great international musicians, but I also had the opportunity to jam with the local celebrities in Toronto, people like the Walsh Brothers, David Wilcox, Kim Mitchell and the like. It was a great learning experience.
I started in the club route. I did the alternative scene later on. When I lived in New York, I did the Luna Lounge and stuff, where Janeane Garofalo and David Cross and all those guys worked out of, but I came from a comedy club background. I'm proud of that background. I'm one of the people that really crossed over and did both.
I was just glad to meet somebody outside of my group of small town friends who was into music. Somebody else who had aspirations to do something more than sing at a record hop.
For me, the most effective cabaret evenings have been some of the most personal ones, where the performer is comfortable enough to simply be themselves.
I sat in at every club in New York City, jamming with musicians, because it felt right - and because it felt right and we were having fun - the people dancing and sipping their drinks in the clubs felt it too and it made them smile.
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