I like to say, 'You get as much story as you can take.' But you have to effectively render it.
Sentiment: POSITIVE
With short stories, you can always see the whole, but it's just so hard to get everything you want into that small form.
I try to tell my story as simply as possible, with the camera at eye level.
A good story, just like a good sentence, does more than one job at once. That's what literature is: a story that does more than tell a story, a story that manages to reflect in some way the multilayered texture of life itself.
A story is how we construct our experiences.
Stories are the rich, unseen underlayer of the most ordinary moments.
Making sentences is what I do. I mean, the story will come as I write.
For everything you give an audience, you always have to take one thing away. They always have to pay for the story.
A good story often increases the salability of an item without increasing its actual value.
Stories and narratives are one of the most powerful things in humanity. They're devices for dealing with the chaotic danger of existence.
It's not like what I do, how I write, changes depending on the nature of the project. I give each story my all, regardless of if there are a few thousand people reading it or a few hundred thousand.