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Don't get between me and a really good picture in the darkroom, because then I want to go straight to the darkroom and develop it. But once that's done, I'm fine.

I fell in love with the darkroom, and that was part of being a photographer at the time. The darkroom was unbelievably sexy. I would spend all night in the darkroom.

It's more fun if you can control things like lighting and make special effects in the darkroom.

My lifestyle is bizarre, but the only thing you need to know is where the darkroom is.

The dark is light enough.

In my personal life, dark material is kind of an emptying out - it leaves more room for light. If I'm writing a particularly awful scene, something is released in the process.

It feels really sad, to me, to go to a dark bedroom. It's like surrendering to the night or something.

Not all of our work is dark, but when we are working on a dark project, we really tend to go there.

'The Waking Dark' is about what happens when something awakens a town's darkest impulses and unleashes them on the world.

I've found even after nearly 30 years of doing this, there are all kinds of new surprises that rear their heads at various times and I truly believe that 51% of the images, success takes place in the darkroom.