I love the idea of the 'vignette,' which is associated with the decorative, illustrative, small, and thus with the feminine, and thus easily maligned. I mean, Emily Dickinson wrote vignettes, right?
Sentiment: POSITIVE
I have a little tiny Emily Dickinson so big that I carry in my pocket everywhere. And you just read three poems of Emily. She is so brave. She is so strong. She is such a sexy, passionate, little woman. I feel better.
The letters I really love are from young actresses who were worried they had to fit a certain look. They say I've opened it up. And I don't just mean plus-size girls. You can push things now. With all the great performances in 'Bridesmaids', it changed how people see funny women.
I was unnerved to learn in my twenties that the poems of Emily Dickinson that I had memorized as a girl were not the poems as she had written them.
When I think of Emily Dickinson, there's not one particular poem of hers that jumps out, but I do have a very vivid image of an ill woman with giant eyes who wants to write about the sun exploding.
Some of my favorite poets had a tremendous sense of whimsy, so it's a writing style I guess I admire.
Criticism, that fine flower of personal expression in the garden of letters.
Emily Dickinson has great sound and sense.
Some readers may be disturbed that I wrote 'The Secret Life of Emily Dickinson' in Emily's own voice. I wasn't trying to steal her thunder or her music. I simply wanted to imagine my way into the head and heart of Emily Dickinson.
No, I don't know any Emily Dickinson poems!
Emily Dickinson never developed. She remained loyal to her persona and to that same little metrical song that stood her in such good stead. She is a striking example of complexity within a simple package. Her rhymes are like bows on the package.