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The problem with themes is that writers don't realise they are themes until someone points them out.

Themes only arise after a novel is written, and people begin to try to talk about it.

I don't write for theme, but if you work closely on some guy fixing a sandwich or a window or a table or trying to visit an old teacher or walking down the street on which he was a boy, a theme, a human hope, will emerge.

Every story I write starts with a dilemma or a theme. Once I am convinced that this is the issue that is perturbing my thoughts, I start to look for characters capable of representing it.

I never really approach any project or story thinking of themes first or what a certain character 'represents.' Maybe other writers do, but for me, it just starts with the characters and a certain emotion I want to convey. It usually isn't until I get deeper into a book and look back a bit that I start to see the themes, etc.

You can't tell any kind of a story without having some kind of a theme, something to say between the lines.

I like entertainment and think mastery is good, though I don't feel like a master. If a theme means having a story that's legible, then that's certainly what we do. But we don't treat design as an add-on layer.

What I like in novels that I read and enjoy is interplay of theme: the mystery of how we seem to be so separate as human beings.