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It's like those high-school yearbook photos that everyone would rather not see: Oh my God, look at that mullet hair. I have those photos too, but for me, they're, like, entire movies. And they show them on cable.

I feel like you can do all the research in the world, but when you start putting that costume on, put your hair in a wig and walk into those sets, that's where the visceral reaction is. It's no longer in the head. It's in the body.

I did this movie about Salvador Dali a few years ago and had hair extensions and a little bob. That was incredibly bizarre.

It was in the '80s, so I guess big hair and high bangs. And I had so many gummy bracelets! While we were doing 'Full House,' we were like, 'You know, in 10 years, we're going to look back on this and think this is horrible.' But everyone looked like that!

It's like a jigsaw, there's a piece of the puzzle at the beginning and it's the only one and of course it had a lot to do with the way you look. And then you have to have the time to add pieces of the jigsaw.

I personally have gone to photo shoots and see the pictures afterwards, and I don't look like me because I'm just so airbrushed and so, kind of, fake and almost plastic-looking, you know?

The hair is real - it's the head that's a fake.

My eldest daughter's been to a few sets of mine and gets spoiled when she's doing her nails, her hair. Though more often than not, you bring them to set, and they realize the filming process is pretty boring.

They shaved my head, eyebrows. This is not a sci-fi picture. It's not a fantasy picture. You're dealing with something that's supposed to be in reality. But we had a genius makeup artist.

I used to have quite long hair, and I decided that I wanted to get it cut. I'd never met the person who did it, and she cut it into some kind of dreadful mullet. It looked like a triangle on my head. The other kids were merciless.