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I was so moved by music that I wanted to create it as well, but once you decide that's what you want to do with your life, to be successful, you have to be business-minded, too.

Nowadays, with the state of the music business, for any artist, whether you're up-and-coming or you've been in it for awhile, you have to explore different revenues and different ways of expressing yourself.

I am very aware now that music is a business, but there is also a way to go about making music that is true to yourself as opposed to doing, you know, just going through the motions and making things that would just be commercially successful.

The nature of the music business is such that it's better to have a few chances for some things to be successful than just one, and that's kind of been my attitude all along.

In business, you can have one massive success that earns $50 million overnight, and that's it. You're successful. End of story. But in the music business, you have to keep on doing it.

Some people are the greatest people on Earth with good hearts and will get in the studio and make the most negative music in the world for the sake of success. That's what the music business does to you. That's what capitalism does to you.

Lots of people, from what I can see, just want to get into the music business for the glamour of it. But there isn't any, really. It's so up and down this industry, but if you really love it, nothing can stop you.

I think in certain areas the demand is greater than it has ever been, and my business is better than it's been in 30 years. The music business is so precarious, as you know-you've got to make it while you can make it, and that's exactly what we're doing.

The music business is a crazy game, especially for somebody like me who is really a purist about the art. Trying to balance the pressures of commercialism, it's a tightrope. It's a fine line between sticking to your guns and insanity.