'On the Road' is another one of those, a film in which the audience has a very clear idea of who they think your character is, so you know you are asking for it. But that's the challenge.
Sentiment: POSITIVE
The writer of 'The Red Road,' Aaron Guzikowski, deserves the credit. The fact that the dialogue is so understated is what makes this show so appealing, especially as an actor.
The challenge in most car chases is you're trying to hide the fact that it's not the actor driving.
All I can start with is what moves me and feels like a great challenge as an actor and I think is saying something unusual or irreverent or human - honest in some way.
'The Road' was a movie that has a good reputation, even though it wasn't released very well, but that's a movie I'm very proud of.
With film roles, it just has to be a character either I haven't done before, or a role with somebody really interesting or with an interesting person or group of people.
I haven't done many films. But with every movie, I try to showcase a different side of me through a character.
No one has a name in 'The Road.' Like Cormac McCarthy's novel from which it's adapted, 'The Road' features characters such as the man, the boy, the wife, the old man and the veteran.
I think, for every actor, the most challenging part of playing a character, specially a real-life character, is to convince yourself that you are the character.
I've been joking that 'On the Road' is the prequel to 'The Road.' I don't know if that's a very good joke.
If you're not concerned about maintaining an image, you can pursue roads that another actor might not take.
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